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To write lyrical prose, one must use wording that conforms to a lyrical voice. When the wording is altered, the cadence is altered as well. Some cadences fit one voice, while other cadences fit other voices. To certain cadences, wording must conform to establish a certain voice. Control over syntax helps to accomplish this.

But of all the syntactic patterns available, not all produce the right cadences. This is because the word-choice disallows it. I find that in this case, although for the task, the use of a Thesaurus is often recommended, it appears in my mind to be not always helpful, as it lacks an adequate supply of synonyms.

My questions then are, “Seeing there is a lack of synonyms, and seeing that cadence cannot be made by syntax with sufficiency, how does one create their desired voice?", "Is it done through a creative use of words, despite the lack of synonyms?", and, "Does this lessen the brevity which is possible in a piece?".

Mocha
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Yes, it is done with a creative use of words despite the lack of synonyms.

Yes, it may lessen the brevity which is possible, but this is seldom a problem -- people that read for enjoyment do not mind reading. They aren't judging a book on its brevity, but on its creativity.

This is a fact in writing and life: You cannot always have it all, sometimes you must choose one path of many. Fortunately, in writing for avid readers, using more words to convey a notion accurately is very seldom a problem -- action, fighting and love scenes being an exception, where pacing and tension has added importance.

Amadeus
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Possessive voice. You'd be surprised how it works. It's not always clearly laid out, this thing you're searching for, but merely emerges from the work. Possessive voice is the best guidestone towards what you're searching for, even when using unique words or phrases. This is the second question on this topic I've come across, but believe it or not, possessive voice is the guidestone, even when using unique phrases or words.

Another thing to point you in another direction. Not using paragraphs helps achieve a lyrical voice along with control and using strict possessive voice, regardless of word choice. I know what it sounds like, but train as a writer that doesn't use paragraphs for a while and invent your own style of body for your work and see how it turns out. There is more flexability in your own body than there is in a paragraph formation. A lot of the time what you'll discover is this thing you're looking for emerges from the piece quite naturally after much dedication and practice. I've seen it emerge from my own work, so I know what I'm talking about.

Play dark academia trance music while you write to voice. You can get the music on the Internet for free. It's study music. Then what you do is stop writing in paragraphs. And start writing to the voice in your head, but write in possessive voice most of the time and don't even try to sing. Go back and read your work. And learn the patterns that you're discovering to your own style. It will emerge when you're ready. It takes practice.