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If I want to write complex sentences in a composition, and make them flow with cadence, should I write my rough draft with complex sentence structures, or should I write it with simple sentences and do sentence combining on a middle draft, that is, one before for a draft for cadence?

Also, are all drafts with simple sentences able to be made into drafts with complex sentences? Or does an author have to write their rough draft a certain way, in order to be able to edit it into one with complex sentences?

Please understand that, when I say complex sentences, I do not mean merely ones with dependent clauses, but ones with complex sentence structures.

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My advice would be to start with something that looks much like what you want to end up with; so if you want complex sentences with cadence, try to write them that way to start.

This way you don't have to overcome an added complication of how to combine simple sentences, and then the extra added complication of going back and shoehorning in "cadence".

The final sentence may even be such a kludge you have to start over.

For me, at least, I will write and edit and rewrite a single scene a dozen times if necessary to get it right. And even then, when reviewing a chapter, be dissatisfied with the scene and work on it some more.

I will also add, I do not know why you want to write this way. I seldom see that kind of writing in popular fiction, it is more reserved for books of poetry. Most buyers of popular fiction are reading at a 9th to 12th grade level, at most. That's high school, in the USA.

Popular fiction reflects that, it is written in pretty clear language. And except in rare passages, or perhaps the writing or dialogue of a particular character, does not read like extended poetry, with complex sentence structures and cadence.

If it is just for your personal entertainment, have at it. If you are trying to write a saleable story, I would recommend against it -- prose complexity creates a barrier to most readers, and IMO it would not make up for having a mediocre plot or characters.

Amadeus
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You're making writing too hard. Listen to me. In order to be a great writer, and I've studied this for a long time, you need to be able to think well. Most of writing is thinking well. An author has the ability to think well, because they're trained in thinking well. Some authors get stuck. We all do, but we destress. We take a walk. We do something else. What we don't do is trouble ourselves, because we know better. If you want to write with clarity, you need to open the third eye and see out of the mind's eye. A lot of what we do is instant cognition. So, very little thinking involved.

Charles took a walk with Sally and it was dark outside. The wind was blowing and there was mud coming up from the rain, along the sidewalk from the edges of the pavement. Charles shook his head and Sally smiled, and said, "The rain will never stop." They continued down the street meandering around a wooded area. Charles stared at Sally. "We're almost there," he said, smiling. A ball bounced along the side of the ground and an oil can sat on the ground in a wooded area next to where he found the child's toy. Charles thought back about how it got there, wondering about yesterday when he saw the boy at play. He had been outside playing in the very spot where Charles saw the toy laying on the ground next to the wooded area where it continued to sit. He put it together and picked the toy up and placed in into his pocket. It was Billy Roger's child's toy. Eliot, was the boy's name.

Don't make it harder than it is. This is just an example. You can always go back and add to it, but this is a rough draft to a story that I just came up with, but what you'll notice, is it's pretty much finished and in final state. I lightly did some editing, but that was it. I don't write perfectly. I did one last edit to finish it, just now, so this is the final draft now, and it took many edits for me to get it all straight, but I'm a dyslexic writer, so writing is actually hard for me to lay it all down correctly, even though I'm a trained author and fully trained editor-in-chief. All you amatuer writers, take my story and make it your own. Finish it. It's my lovely gift in the bones for you all. I am trying to help you.

One of the books I'm working on is kind of like how you're wanting to write, so I'm not saying you can't do it, but stick to the format for the most part, even if you go off the rails a little here and there, for a book like that. It can't all be that poetic. I'm a poet and my book, "A Time for All Existence," is kind of like that.

Ben
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