| Uncle Joe's Spirit House | ||||
|---|---|---|---|---|
![]()  | ||||
| Studio album by  William Parker Organ Quartet  | ||||
| Released | 2010 | |||
| Recorded | January 22, 2010 The Gallery Recording Studio, Brooklyn, NY  | |||
| Genre | Jazz | |||
| Length | 64:30 | |||
| Label | Centering CENT1004  | |||
| Producer | William Parker | |||
| William Parker chronology | ||||
  | ||||
Uncle Joe's Spirit House is an album by American jazz double bassist William Parker, which was recorded in 2010 and released on the on Centering label.[1][2]
Reception
| Review scores | |
|---|---|
| Source | Rating | 
| AllMusic | |
In his review for AllMusic, arwulf arwulf states "Bassist William Parker's exceptionally fine and friendly-to-listen-to album Uncle Joe's Spirit House has been warmly received as a comparatively "inside" listening experience, because unlike virtually anything else in his discography prior to its release in 2010, this is a study in organ combo jazz... with every recording he sends out into the world, William Parker's personal blend of spirituality, surreality, and musicality references every aspect of his—and our—existence"[3] The All About Jazz review noted "Uncle Joe's Spirit House is a deeply personal offering from a musician whose role as a scene leader and social activist is as significant as his instrumental prowess".[4]
Track listing
All compositions by William Parker
- "Uncle Joe's Spirit House" - 9:01
 - "Jacques' Groove" - 2:13
 - "Ennio's Tag" - 5:41
 - "Document for LJ" - 10:44
 - "Let's Go Down to the River" - 7:19
 - "Buddha's Joy" - 8:47
 - "The Struggle" - 8:46
 - "Theme for the Tasters" - 7:47
 - "Oasis" - 4:12
 
Personnel
- William Parker - bass
 - Darryl Foster - tenor saxophone
 - Cooper-Moore - organ
 - Gerald Cleaver - drums
 
References
- ↑ Lopez, R., William Parker discography, accessed May 27, 2014
 - ↑ AUM Fidelity catalog, accessed May 27, 2014
 - 1 2 arwulf, arwulf. William Parker - Uncle Joe's Spirtit House: Review at AllMusic. Retrieved May 27, 2014.
 - ↑ Collins, T., All About Jazz Review, October 5, 2010
 
